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Recent Comments
- Richard Frazer on Colour Smear for Nuke (UPDATE v2.0):
Hi Josh. Thanks for the feedback. You have correctly discovered that this tool works best when you have a solid core for a matte with a feathered edge. Where it fails is if you have large areas that just have semi transparent alpha (such as your grimy window). I’d approach this by separating your actor with a rough roto and using the colour smear to deal with their edges. Then for the smudges maybe try extracting the green channel and using using it to drive a grade for your background, or... - Josh Northeast on Colour Smear for Nuke (UPDATE v2.0):
Hey Richard! Absolutely love the tool. Saved my ass alot. I’m working with some greenscreen plates where there is a smudgy window behind the actor and a greenscreen behind that. We need to preserve the smudges on the window but that means it’s hard to use your tool to treat the edges because the alpha isn’t clean. Any tips? Cheers, Josh - Catherine Todd on “Dark Tide” behind the scenes at the Pinewood Underwater Stage:
Just finished watching the film, which had no plot whatsoever but had fabulous underwater shark and diving scenes! Thanks for this “behind-the-scenes” look at your part in it! - Usman on Fractal Blur For Nuke (updated 28/01/2015):
very handy and useful, thanks - jus a malu on Hand painted Indian typography:
yes KERALA the best state
- Richard Frazer on Colour Smear for Nuke (UPDATE v2.0):
BAFTA nomination for The Last Kingdom
April 16, 2016
Congratulations to BlueBolt for their award nomination in the category of Television Craft | Special, Visual & Graphic Effects in 2016 for their work on The Last Kingdom.
I’m actually a named nominee for the work I contributed under the supervision of Stuart Bullen.
Unfortunately I’m unable to attend the awards ceremony as I’ll be in Spain supervising on another shoot.
Good luck to everyone on the evening.
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