A Thousand Blows S01 (2024)
A Thousand Blows S01 (2024)
BlueBolt delivered 125 VFX shots to help recreate the perilous world of Victorian London’s boxing scene for the first season of Disney Original series A Thousand Blows, created by Steven Knight.
Tags: Compositing VFX Supervisor
The Orville 3 (2022)
I supervised 70 shots from two sequences over episodes 7 and 8.
Tags: Compositing VFX Supervisor
The Last Kingdom 5 (2022)
I supervised the BlueBolt team to deliver 782 shots for the 10 episodes.
Tags: Compositing VFX Supervisor
The Spanish Princess 2 (2020)
Some more regal VFX, this time fit for a Spanish Princess.
Tags: Compositing VFX Supervisor
The Last Kingdom 4 (2020)
The Last Kingdom has certainly grown in scope for this latest season.
The environments are larger and the battles are bigger and bloodier.
The Rhythm Section (2020)
Based on the book of the same name, The Rhythm Section is an action thriller starring Blake Lively and Jude Law.
Tags: Compositing VFX Supervisor
Jamestown (2016)
A drama about English settlers in America in 1617, Carnival produced this 8 part series for Sky Atlantic. BlueBolt were the sole vendor for VFX and I had the pleasure of supervising the show.
Tags: Compositing VFX Supervisor
Me Before You (2016)
My first VFX Supervisor job for BlueBolt – this romantic drama is based on the best selling book by Jojo Moyes.
Tags: Compositing VFX Supervisor
Peaky Blinders (2016)
Impossible smokestacks loom and belch, dizzying aqueducts sail the high, dark sky. It’s Fritz Lang’s Metropolis given a greasy coat of toxic tar
Tags: Compositing VFX Supervisor
War and Peace (2016)
A six hour BBC mini-series with a £10 million budget and all star cast – this show was a visual pleasure to work on.
Tags: Compositing
The Last Kingdom (2015)
BlueBolt was the sole VFX provider on this eight-part Saxons vs Danes drama.
Tags: Compositing
The Bastard Executioner (2015)
Kurt Sutter (Sons of Anarchy) was the creator of this show about a 14th century warrior.
Tags: Compositing
SuperBob (2015)
Robert Kenner is a lonely man looking for love. Oh, and he is also the world’s only SuperHero.
Tags: Compositing Motion Graphics VFX Supervisor
Jupiter Ascending (2015)
I spent around 6 months working as a sequence lead on Jupiter Ascending whilst at One Of Us.
Tags: Compositing
Hercules (2014)
Brett Ratner’s take on the classic Greek tale, and also my second movie starring Dwayne “The Rock” Johnson.
Tags: Compositing
Under The Skin (2014)
Of all the films I have worked on recently, I have a feeling this one will still be being talked about in decades time.
Tags: Compositing
Robocop (2014)
As with many people who are my age, the original Robocop remains one of my favourite movies of the 1980’s. So when the opportunity came up to work at Framestore on the remake I was very excited.
Tags: Compositing
Cloud Atlas (2012)
One Of Us worked on several sequences from the futuristic story strand set on Hawaii, primarily the satellite control center that is operated by Halle Berry’s character Meronym.
Tags: Compositing
Prometheus (2012)
The only film I wanted to work on in 2012, and I would try and make it happen no matter what. If it was going to be as seminal as the original Aliens films then I had to be part of that.
Tags: Compositing
Tower Block (2012)
A year after witnessing a murder, residents of Tower Block 31 find themselves being picked off by a sniper, pitting those lucky enough to be alive into a battle for survival.
Tags: Compositing VFX Supervisor
Hugo (2011)
“Hugo” concerns a 12-year-old orphan who lives in the walls of a Paris train station in 1930 and a mystery involving the boy, his late father and a robot.
Tags: Compositing
Dark Tide (2012)
A professional diver tutor Brady returns to deep waters after nine years following an almost fatal encounter with a great white shark, bringing a happy couple Kate and Jeff. However, before they know it they discover that the nightmare from the deep is still lurking in the deep, more carnivorous and hungry than ever.
Tags: Compositing
SEAT & Shakira “Good Stuff” (2010)
A dazzling animated SEAT commercial that combines a myriad of animation styles and techniques with live action, visual effects and architectural design.
Tags: Compositing
Dead Hungry (2009)
Life’s a bitch, then you die. Then you’re a zombie, and death’s a bitch too.
Tags: Compositing
Cell (2007)
The 20-episode, action-drama series “Cell” uses a stylized mix of live-action and CG to tell two parallel storylines for the same hero character in two-minute long episodes.
Tags: Compositing
